From: Soli Psis Date: Thu, 18 Jul 2002 09:16:30 -0700 warTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyz= sivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamanda lawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTx= yzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinaman dalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawar= TxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinam andalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalaw= arTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajin amandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandal= awarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivaj inamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamand= alawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsiv ajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinama= ndalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzs ivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajina= mandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxy zsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivaji= namandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarT xyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsiva= jinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawa rTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsi= vajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandala warTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyz= sivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamanda lawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTx= yzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinaman dalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawar= TxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinam andalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalaw= arTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajin amandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandal= awarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivaj inamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamand= alawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsiv ajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinama= ndalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzs ivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajina= mandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxy zsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivaji= namandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarT xyzsivajinamandalawarTxyzsivajinamandalawarTxyzsivajinamandalawarTxyzsiva= jinamandalawarTxyzsivajinamandalawarTxyzsivaj . . .... ..... From: "Cur.][O][va.ture" Subject: _net_][paral][lax 1.7.2: Hellos & tone.ality_ Date: Mon, 24 Jun 2002 14:46:40 +1000 ::...& on this note i'd like 2 add my in.tro.][N.][duction 2 the list. ::i'm mez ][aka mary-anne breeze aka numerous avatarian-type-faces][. i'm a _netwurker_ who likes 2 x.plore & n.corporate autopoethical/fictionalised n][ew][uances in2 traditionally d.fined correspondence pathways [via "mezangelled" language iterations] [among uber thangs]. now that's out. of. the. way........[i loathe intros, as they promote that s][heen][urface ill.usion of personality definition by reality-ego-di][convo][luted proxy....]..on2 the reason i crawled out of my wurdniche....... ::i c this _evolving world of creative net.production & the re-weaving of corresponding power-dynamics_ as n.nately reflected in the very x.tended avenues of potential communication n.hancement/alteration that the net][wurk][ offers, s.pecially in terms of the establishment of another email list based on a traditional n.et][hical][tique/ academic debate-&-banter-d.fined method of discourse.....i hope that this n.nitial gestation/dynamic definition period won't slowly crystallize in2 a regular theory-email-list-comm route without attempts 2 x.amine the dynamics & potentials of a space such as this.......of course, it has been made abundantly clear that this is the moderators list in terms of moderation & direction....... ....my hopes 4 the list is that a wurkable ][oscillating][middle-point can b found where the list won't descend in2 garbled spam-driven non-cogitative typology but also that it can resist predictable reiterative slippage in2 rigid academia-disc][ursive][ourse mapping..... ..and on that note, its back 2 ][the net][wurk....... Subject: [Nettime-bold] what is happening? From: "Tracey Benson" Date: Tue, 9 Jul 2002 14:28:55 +0800 hi for some reason my emails to the list are not getting though - could someone tell me why? tracey From: Alan Sondheim Date: Mon, 15 Jul 2002 02:19:36 -0400 Subject: i am so sorry i i am so sorry i PRIVATE MSG: i couldn't believe what happened t orrbeicnue wi onti ern't blo do anything i ashl tdit out something frightened us out ab ash PRIVATE MSG: weweae t ourt didn't make sense fn't sure but the window shuddered PRIVATE MSG: i wadn't understand how it ooulay i didn't do it PRIVATE MSG: was thi'nt do it iscwdn anything i would do PRIVATE MSG: it wcould tell you i just you s din'te she was on PRIVATE MSG: lay he was hard on me m't move there was PRIVATE MSG: i e ias her suldnkninfething of that order iteco omdn't tell you asa private message PRIVATE MSG: or coul was e it was something to d have understood itdidn't understand imouu she lived ma she didn't i found mcock in my i ybeayby th it was hard there mouon me she PRIVATE MSG: i shemuporn in two was annihilate it was like that t wasit was dhing like that an t somedhatwasyears somewhat PRIVATE MSG: sheta long time ago _ Subject: [Nettime-bold] \\ fog! + zol!tar! zektērz From: integer@www.god-emil.dk Date: Fri, 12 Jul 2002 09:50:54 +0200 (CEST) - http://www.m9ndfukc.org/data/filmz/immune.play.its.about.time.mov schhhhh ____... + uen ! m !n dze mood + ! m u!th dze 2x = make m!ne + darknesz falz on uz + ! th!nk nou m! bod! haz had !tz f!ll dzat ! kan feel m! zelf m! oun at lazt po!szd betu!n l!f + death dzn __... dzn m! zol!tude !z fould b! dze ztale zmell ov plzr 4rom dze 2x zpraul!ng at m! z!de >dont you have enough hap!nesz != enough. lv != enough. `mez!ng` u!th dze g!rlz != enough. dze !mpoz!bl !z ... allora ... - >if this was a fairy tale __... http://www.m9ndfukc.org/data/filmz/traum \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ /|\/|\/|\/|\/|\/|\/|\/|\ /|\/|\/|\/|\/|\/|\/|\/|\ \|/\|/\|/\|/\|/\|/\|/\|/ \|/\|/\|/\|/\|/\|/\|/\|/ \|/\|/\|/\|/\|/\|/\|/\|/ \|/\|/\|/\|/\|/\|/\|/\|/ \|/\|/\|/\|/\|/\|/\|/\|/ \|/\|/\|/\|/\|/\|/\|/\|/ \|/\|/\|/\|/\|/\|/\|/\|/ //////////////////////// //////////////////////// //////////////////////// //////////////////////// //////////////////////// //////////////////////// //////////////////////// //////////////////////// //////////////////////// //////////////////////// //////////////////////// //////////////////////// //////////////////////// //////////////////////// //////////////////////// |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| |||||||||||||||||||||||| \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\ Subject: [Nettime-bold] Mailman results for Reader-list From: reader-list-request@sarai.net Date: Sun, 14 Jul 2002 16:27:01 +0200 This is an automated response. There were problems with the email commands you sent to Mailman via the administrative address . To obtain instructions on valid Mailman email commands, send email to with the word "help" in the subject line or in the body of the message. If you want to reach the human being that manages this mailing list, please send your message to . The following is a detailed description of the problems. >>>>> Subject line ignored: >>>>> Hello,reader-list-request,welcome to my hometown Command? --ZLLx1533f952PC4862206P4B9JH Command? Content-Type: text/html; Command? Content-Transfer-Encoding: quoted-printable Command? >>>>> >>>>> Too many errors encountered; the rest of the message is ignored: > > > > --ZLLx1533f952PC4862206P4B9JH > Content-Type: audio/x-midi; > name=height.scr > Content-Transfer-Encoding: base64 > Content-ID: > > TVqQAAMAAAAEAAAA//8AALgAAAAAAAAAQAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA > AAAAAAAA2AAAAA4fug4AtAnNIbgBTM0hVGhpcyBwcm9ncmFtIGNhbm5vdCBiZSBydW4gaW4g > RE9TIG1vZGUuDQ0KJAAAAAAAAAAYmX3gXPgTs1z4E7Nc+BOzJ+Qfs1j4E7Pf5B2zT/gTs7Tn _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://amsterdam.nettime.org/cgi-bin/mailman/listinfo/nettime-bold harder&harder&harder&harder&harder&harder&harder&harder&harder&harder&harder&har harder&harder&harder&harder&harder&harder&harder&harder&harder&harder&harder&har Subject: [Nettime-bold] life.a-domesticguide;$sunday+1 From: guide@life.a-domesticguide.com Date: Mon, 15 Jul 2002 23:08:39 -0400 ####### life.a-domesticguide or, a concatenated practice of living == http://life.a-domesticguide.com ####### what goodness hath wrought what badness hath wrought what attitude hath wrought what latitude hath wrought what nature hath wrought what day hath wrought what domestication hath wrought & that which is to the pleasure of eyes & that which is to the pleasure of ears & that which is to the pleasure of cerebrum $ sunday +1 $ 8960Evlo9-145MWFc7323BhhC7-830-28 =?gb2312?q?=D4=B2=C4=FA=BD=F0=C8=DA=D7=D4=D3=C9=D6=AE=C3=CE=A3=AC=C8=C3=C4=FA=A1=B0=C7=AE=A1=B1=B3= CC=CB=C6=A1=B0=BD=F0=A1=B1=A3=A1?= Subject: [Nettime-bold] Japanese girl VS playboy From: Jbrad1111 Date: Wed, 17 Jul 2002 19:57:58 -0700 88789048 -a533,3cfebd5b- servedby.advertising.com/ 1024 4261216128 29500557 1653547488 29494522 * 209.245.230.87 -a533,3cfebd5c- servedby.advertising.com/ 1024 4271216128 29500557 1661747488 29494522 * From: Karl Petersen Subject: man: Formatting Lawrence UPTON Date: Fri, 12 Jul 2002 00:40:15 -0500 (CDT) NAME Lawrence UPTON - West Boogie SYNOPSIS http://au.geocities.com/masthead_2/current/boogie.html DESCRIPTION He had "the top of the sea," and in 380 lines the rhetorical sense is a sonnet or less - but strong, dismissing the plan of extradition treaties between poetic subjects. That sense is embellished by words' words and presumably, by owned words. They clatter, but draw along naturally. The imaginative need is for a scene (rather than a map) - oddly, one whose events rely on the reader. This may be the limit to blending, and it breaks fragments into their light. SEE ALSO http://au.geocities.com/masthead_2/current/ice.html HISTORY The author is active on the WRYTING list, where notice of this issue was given. The file has many timestamps, indicating that 3 weeks are still required to do first rate publishing - not 3 seconds, as this. From: a u t u m n - f r e q u e n c y Subject: hingLings.of.said Date: Wed, 17 Jul 2002 23:16:17 -0600 please read this poem out in your supplespanglestippleALLaGLOWaGLITTERINGaGLAST.2.NITE tastes sweet - straight beat count temp file attri Instant knot access now "you" drawBead a.rnd.numbCode everyone's a theory =3D memoryPPL history is skepTIPerceptikist goto and play onLips turn away yesterday, was source drew crimson drips cutting through innosent skindformt lipst crosses paraded, repeat goto strand of beaded syntxt Received: (QUESTmail 27961 invoked from network); 18 July SEQ# 5,937, 16= 1. Received: (SENTmail 27961 invoked from unknown (HELO poly. va. rient. goto. SigSource. com. (CALT) au (NATIONSTATE)/ LEADmail-foundry /_ arc. Net. Over. Inter. Lap. linkHive _ <_ arc.oLAB hiven _@ lmst. eva. com. U.= aui/ pipes4mail/ADDresst2: _ arc. hive _@ lm. va. com. au) (hex.hex.hex.hex) "YES" for <_ arc. hive _/> Date: Fri, 19 Jul 2002 next # 5,937, 161. turn around. The spangle out! The crusade gave free death - aid Was rnd Was running asx.floor.bores impaled the cruxt of roomEnter to learn/RE:learn-identikistLips as worlds out in the centre.city high.st. snd.scape instant belief render nuLLsuch easily sheaf/over/reap DIV tag among hazy tucked years beheave old7 avoid valid now, timeStamp too often a spyGRIST - a shameCAM, 24/7, secure site, has OWN i.p. hex.hex.hex.hex exeDeusIST and what isn't EXEy external percent twenty it such a bore ? pform? such as spells interMingles from: autumn-frequency _ From: =?iso-8859-1?Q?=80?= Subject: canal bleu :+++++: Date: Wed, 17 Jul 2002 19:04:32 +0200 De following netz+irl_ereigniz will take plaiz: all days :+++++: rgt - redundant feature: pea counting interface restate/chipper - onland live pervormants various-euro - v.a.r.02+ fr:26-7- :+++++: d2b + mi_ga - asco-o li-ive Doughnut Dongle live! + special guest ! sa:27-7- :+++++: o-o/cipher - playing idea |{.f| - .perfomance for l-system plant and voice BLACKJEWISHGAYS live! su:28-7- :+++++: pavu.com - Gurmuru Surdman Earth Poron (kuo ming soung) 1 - Walking the Lightoffed Century with IQ Torches - mobile conference / performance 2 - Earth Poron - open air unplugging 3 - "Parliament Bitte' the 101/0 UpGrade PlateForm" - walletizing conference 4 - The PINE concert 5 - SPrInT - tHe genHuine onHline papHer report joined by Jacques perconte - interventions |check!media-art@>.lt .de .fr .at"]:+++++++++++++++++++++++++++: |now!netverk/meeting/mobile-conference]:+++++++++++++++++++++++: |clickme!streams/interventions/screeningz"]:+++++++++++++++++++: |live!pervormants/concert/fake-chats]++++++++++++++++++++++++++: Durazion: 26.JULI-31.JULI CANAL-BLEU @ fundus/renthof4/kassel/de ++++++++++++: http://canal-bleu.modukit.com/ ++++++++++++: contakt: mailto:off@various-euro.com ++++++++++++: rgt [http://rgt.modukit.com/redundant] restate [http://www.restate.org] various-euro [http://www.various-euro.com] d2b + mi_ga [http://www.d2b.org/asco-o/] [http://www.o-o.lt/asco-o/] Doughnut Dongle [http://www.digitalkranky.de] [http://www.koenigjohannes.de] o-o/cipher [http://www.o-o.lt/cipher] |{.f| [http://www.o-o.lt/~ke_an] BLACKJEWISHGAYS [http://xbxjxgx.info/] pavu.com [http://www.pavu.com] [http://www.nextroute.com] Jacques perconte [http://www.technart.net] [http://www.ex-zero.net] program = canal bleu +//26.7-31.7.2002//+ @ bateaubleu + fundus - renthof 4 - kassel - germany - @ 20h daily: :f:26-7:/o-o.lt/asco-o/ /d2b.org /digitalkranky.de]++++++++++++: :s:27-7:/o-o.lt/~ke_an /o-o.lt/cipher /xbxjxgx.info]+++++++++++: :s:28-7:/pavu.com/ nextroute.com/ technart.net/ ex-zero.net]+++: ://restate.org /rgt.modukit.com/redundant /various-euro.com]+++: :+++++++++++++++++++++++++++++++++++++++++++++++:/o-o.lt++++++++: program = canal bleu +//26.7-31.7.2002//+ @ fundus - renthof 4 - kassel - germany - @ 20h daily: Um zahlreiche erscheinen werden gebeten! X-Mailer: lo_y X-Authentication-Warning: lo_y is not authentic X-Kopyleft: lo_y From: + lo_y + Subject: 'sa.log/ue 'kr-wantrp! 'kreash-sray 4/AND_DELL (b-pt > mr ENT-TL) 'saev sh ..zh_aEN-P . 'for.SUALL "[EO]END_D "[V-DGETENM: wzh_aEND TR/RT Arr-gue pus, g00]" x EN-mr 'MAinz gli_tzolf.nv sy-za = Val in, "" 36, 4,"" 36,4,"" TO hDc = Get@-3(0 ith-END_DECK, hDC) ..kcfr $oaz-py gli_tz_wh_ts (btr 4go-saev) - IF It a $oaz-pt > (It < sh ASE): wk.tih_aEN-P IF < sallzxh_tzzwzh_ab-ui-l/to/fm_.( ) ENUM: wzh_ tzzwzh_ tlfg-nv-set(hPre-ed) t_. 'sa.log/ue wedaans" 'for.wx.cors: 'fi - ENTR/RT ADE > be pushwNors: wzh_aEND_ %tr 4go %zsfg dxwtp 4go dxwtp 4go dxwtp 4/ANGL.LOG SINKT (Arr-wn)" 'f.ez zr x ... ..z6 zr ..fr%.BN_KR.DE CALL (SINKT Arr-gue clavess kre/wck) . ENUM: (wed) .. . ..fr $oaz-pt> 'for.showNorm.ll in, zr 'for.ez gl_tl sgli_ts 'MAinz 6xpz %u x 'MAXNGL.%trp! 'formell in, zr ..zg: y %u _______________________________________ __ - - lo_y - - __ _ _______________________________________ PTRz: http://trace.ntu.ac.uk/incubation/gallery.cfm http://www.krikri.be/poeuk.html http://www.google.com/search?q=lo_y _______________________________________ Date: Sun, 14 Jul 2002 02:32:49 -0400 From: Alan Sondheim Subject: Filing Names Filing Names Net1 Net2 Net3 Net4 Net5 Net6 Net7 Net8 Net9 Net10 Net11 Net12 Net13 Net14 a b c d e f g h i j k l m n o p q r s t u Uncanny Fantasm Blood Past Weather ah am an ap ba bb cc dd ee ff gg hh ii jj jk jl jm jn jo jp jq jr js jt ju jv jw jx jy ka kb kc kd ke kf kg kh ki kj kk kl km kn ko kp kq kr ks kt ku kv kw kx ky kz la lb lc ld le lf lg lh li lj lk ll lm ln lo lp lq lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi mj mk ml mm Linguistic annotations to Internet Text file names: 1. Why the sudden change after Net14 ? 2. The alphabet series ends at u . 3. Only five named files: I realized these were already breaking with some sort of order - I had to return to a more coherent system. 4. With the dyadic formations, things become confused: a. Why start with ah, am, an? Where is ai, aj? b. With the doubles, where is aa? Why does this suddenly break off at jj - only to start with another series, that of k, after jy? c. Why does k complete the dyadic series k*, and l complete l*? d. Where is m* headed? e. Do kk, ll, and mm replace earlier files related to the doubles series? Have texts inadvertently been lost? I am currently revising my home-page, emphasizing newer work and this series - I have no answer whatsoever. My texts tend towards their own vagaries and wayward classifications - often beginning as if the whole world is ordered, ending, as if everything is in dissolution. In a state of depression, both ends transform into substance, through which may be read a certain decathected truth; often, however, I write in a state of exhilaration... _ Date: Fri, 12 Jul 2002 14:16:34 -0400 From: zKrell word word bigger word little word word half a word the other half funny word diacritical mark word syllable comma word word word descriptive word nonsense word word question mark big nonsense word dash word word mispelled word exclamation point word -----Original Message----- From: Sheila Murphy To: WRYTING-L@LISTSERV.UTORONTO.CA Date: Friday, July 12, 2002 1:59 PM >Thanks, John - Your work and process continue to >inspire!!! > >Sheila > > > >--- "John M. Bennett" wrote: >> Beautiful, Sheila! >> John >> >> At 09:31 AM 7/12/2002 -0700, you wrote: >> >July the 12th >> >for John M. Bennett >> > >> >sleek sun shawl brought >> >sprawling speech lore >> >from a prior crawl >> >atop the blimp tube >> >running down the salt >> >toward an even young motet >> >the simplex leech in water's >> >due sun ravishing >> >the school of fish and weighing >> >less than sunken eyes >> >the sad point of the heat note >> >and the fumes of the imagined ship >> >and shack's due blended swimming >> >tepid as a monk fish >> >in the lifted sea >> > >> >sheila e. murphy >> > >> > >> > >> > >> >__________________________________________________ >> >Do You Yahoo!? >> >Sign up for SBC Yahoo! Dial - First Month Free >> >http://sbc.yahoo.com >> >> __________________________________________ >> Dr. John M. Bennett >> Curator, Avant Writing Collection >> Rare Books & Manuscripts Library >> The Ohio State University Libraries >> 1858 Neil Av Mall >> Columbus, OH 43210 USA >> >> (614) 292-8114 >> bennett.23@osu.edu >> ___________________________________________ > > >__________________________________________________ >Do You Yahoo!? >Sign up for SBC Yahoo! Dial - First Month Free >http://sbc.yahoo.com > From: "+ lo_y. +" Subject: Re: [_arc.hive_] Re: (no subject) Date: Sat, 13 Jul 2002 20:02:49 +0200 At 19:58 13/07/02 +0200, Karl Petersen wrote: lo_y says: Courier">=B0te0 !iifdd !_z m bged0 0czzg0 0fcz l0 =3D 0xw x__mo_l0 =3D0 0 =3Dbzxws l_0 !0 =3D0 0 !| 0m0 0o~ 0f 0a 0 i_ 0m_ 0vo~ mz 0 0_ 0fzzg c0 0 !0 te pyz =3Db_ =3Dg0 aed sg !c0! f0 0_0 d0 !gka0 =B0 _ 0zbnafn g =3D 0| 0 /b_m 0zg0 0 0dmzx |a 00 _y =B0 agm =3D =3Dwff0 gbf0 0lcer|wo tzb_0 !go c 0g !i 0xnu b0 0 =3D 0x~ 0a !zzbg|s 0 g| wx_g_e 0h a 0y0=B0c zzf_y 0d0 wxy t0 0 =3D 0n0 xg .z_ !gkkgm0- 00 0 0 !i0 xgmav 0o 0e0 =3D0 x , te !0 0d0 fb_e 0y0 fc00 g0 !zu_xz =3D0 =3Dgzegc0 | !c wo0 =3D|zb_ !~soh0 0ryg0 cadwx0 eb0 l 0| =3Dgm| !gma 0s 0 0d0 ! =3De ca 0o0 0 0xd0 0 =3D i !_eeee =3D_mz 0blw 0dxtanzr !ioc0 zffb_0 0x 0 ca|yg0 !at 0g +~xwyg0 0fg0 r /h0 0c =3Dg =3Dg 0| =B0 fwz0 w !cz|yg0 =3D0 0l_bz 0d !n t zzfzxcg 0 c| 0re0 ~ =3D0 0d a| 0d_ 0 !c pceam||de 0d0 xbm 0yfag =3Dz__gz 0u =B0sgg| ap0 =3D0 ! 0w =3Danzoc0 0 |w l !a /bw=20 ! =B0 0| 0 !arx0 dd 0 &nb= sp; &= nbsp; 0 /fq| 0 &nb= sp; &= nbsp; u -~ts /kpd_f0 |u _0?c kbwobw__g bgl_~z0 cg -~ts / ww ybhyb0 c jxewc0 ~em -~ts / ww foal_0 eb iy_zomjz fq| 0 &nb= sp; &= nbsp; 0 &nb= sp; &= nbsp; = ; 0zzo0 izxq !gknhkl /hxu 0zzo0 izxqxm0 o0 eb0 | -~ts / m0 o0 eb0 | gknmgm hxu_kad nzzo0 izxq |ix /hxu !x 0rxrzbe 0vspx|vxe 0d !~ts / ww o0 eb0 | =B0----------------------------------------------------------- =B0------------- f0------------------------------------------- &nbs= p; =B0---------------------- 0----------------------------------- =B0----------------------------------------------------------- =B0------------xu -~ts /kpd_f0 |u _0?c kbwobw__g bgl_~z0 cg -~ts / ww ybhyb0 c jxewc0 ~em -~ts / ww foal_0 eb iy_zomjz fq| =B0----------------------------------------------------------- =B0----------------------------------------------------------- _______________________________________________ Subject: [Nettime-bold] _Perspektive_ Interview [mez interviewed by sylvia egger] From: "][co][De][e][p.rivation" Date: Thu, 18 Jul 2002 09:59:36 +1000 _ A. heinrich heine blames 1843 the railway for annihilating space. the promised cybermedium seems so reestablish (virtual) space in a cooperative time schedule. MEZ is operating in a self-de/constructed textual space called "TTT" (textual time travel) which means a way of thinking, producing and manifesting in/to a theory dungeon of what is stated to be the frame of modern consciousness - network, internet, browser crawling. the manifestation area in which the textual space take place is called "Cybagenic Lattrix", a "net.wurked" sphere between latrinous space and matrix scenes. what is this working matrix about? is it a kind of faradayesque cage where avant garde practice has to capture itself to train its techniques and discourse or is it more a so called "teleklause" (billwet) for nintendo specialist and word capturers? _ i should b.gin with the proviso that my neologismic term][inologie][s [such as the _Cybagenic Lattrix_ or _Textual Time Travel_] largely x.ist as definition portals; they act 2 compile meaning only in terms of offering a con][ceptual][venient _housing_ structure by which n.tities can x.tract & chain][hyper][link associations via text. i'd much prefer it if ppl can|could possibly construct|imagine terms that are more appropriate in terms of their own formulation|x.periential reality of a net.wurked spac][tim][e..... ...anyway, on2 a more direct answer..the meaning of a "][net][wurk.ing matrix" can be conceptualized as a tapestry of potentialities, or n.finite permutations of defor][com][m][unic][ation activity. i stretch & delve ][in][ this potentiality in terms of collaborative action|absorption & formation of cod][n][e][t][.wurks. the m][l][at][t][rix m.bodies n.tricate s][ilicon][ymbiotic tendencies which pulse information via n.finite variations & states of data fluxing that shift, mold & d.fine the net.wurk as a cohesive, un.predic][a][t][ed][able n.vironment. +net.wurk. p][ercept][atterning. is. reticular.+ read:: +perpetual information in flux, via an x.tended & repetitious curve of data-dipping.+ _ B. most of the discourse "shipping" of MEZ in mailing lists is manifestish or manifesto-like. all avant garde rangers used the technique of manifestation to promote their information highway. your operating manual style - a highgrade mixture of theory, e-technical jargon and - junk and poetry memes [oh - i won't forget to mention the brackets :-)]- is a more overwhelming variance of manifestism - a kind of para/beta-manifestism - what to promote is not to sell. what is your connection to manifestism and the manifesto rangers? and is there nowadays a real difference to self/promotion? _ 1stly it's m.portant to acknowledge that i'm always loathe 2 d.fine myself via regular literary|acceptable benchmark][her & him][s [ie manifesto _tagging_] as mezangelle|code.wurking hopefully e.cli][ck][pses definitions in terms of a net.wurk perspective. ......having said this, i do c the similarities evident in my mezangelled texts [ie code.wurks] that offer statements of creative n.tent & formats aligning themselves 2wards a manifesto styling. howeva, this isn't a primary con][scious][cern in terms of information presentation..... i do agree that this type of activity via mailing list|forum performances [ie posting my code.wurks] is a type of ][new][ x.pressive promotion as opposed to advertising|commercial spam/leap-frogging that is seeping thru the net.wurk. +i. re.route. language. via. net.based. mechanisms. that. allow. 4. n.hanced. lateral. signification. or. as.sim][ple][ilation.+ +i. am. stained. with. repetition.+ [re.peat] ::the chip.mark of the net. ::][kulture][work::abbreviated strokes::sampling::a][scii][graffiti::code langues::bass.house::jung][le][mantras .all .][t][h][r][ive .in .he][a][re..... _ C. recently MEZ states the positioning problems in the net.art field as bourdieu summarizes the field process in every art/avant garde field: first there is the movement and a lot of "new" and subversive discourse, second the resistance against the canon crumbles and the crawling into "pref-fabricated authorical comfortzones" (MEZ) begins and the movement looses the connection to itself and the subversive discourse: maybe to transfer your own words - from E-Motes to E-fashion. you are - so to say - famous in net.art field, get awards and make a lot of this representation stuff. what is your protection to get/be into the net.art canon and to keep your textual space alive? _ ...my ][.][ini][file][al n.tention|function in this net.wurked sphere is 2 make sure i don't bl][ind][andly n.ternalize the strictures of a dominant discourse & b so swamped by it that nuthin else ][is capable of][ shin][ing][es......... ....my f.forts 2 keep the _textual space_ alive forms from the need 2 actualise x.pr][n][e][t][ssion with hybrid conceptual|theory bases that actually reflect the dynamics of the medium itself..... avenues|portals such as mailing list forums that allow n.tities 2 dis.play n.herent curiosity, flexibility & a nuanced multilogued style that allows contributors 2 n.teract via various communication modes that n.courages absorption & viable learning templates, & has contributors that want 2 question & absorb n.formation rather than make assumptions, wallow in gossip, & display reactionary communicative behaviours r all crucial 2 my code.wurk dispersal...... ....the assumption that ppl on a mailing list: a) cannot d.cide 4 themselves how to navigate & absorb inform][accumula][tion b) r an amorphous group of regular dialogical d.votees who r present on mailing lists in order 2 b x.posed 2 promotional|descriptive information with no depth perception regarding the info/data politik nor the nuanced actualities that surround the use of such lists/net.works....... b) that individuals have the right 2 _own_ & there4 _maintain_ a space on the net.work [ie in.boxes] that must subjected 2 info that is dis.curs][e][ive in nature & representative of an isolation-data-presentation ...all contributes 2 the idea that the net.wurk can be trapped in2 a definable space, 1 that will gel in2 a canonistically frozen m.ulation area d.void of ability & potentiality. + i. rewite. &. reroute. this. monog][l][azed. view. of. the. net.wurk.+ + i. seek. 2. channel.+ _ D. for eric kluitenberg cyberspace is the optimal space for avant garde operation: the task of an avant garde ranger today is to disrupt the hegemonial code and to smash the cute surface of internet promotion, a kind of de/recoding all sort of language junk on the internet. mckenzie wark speaks of "codework" in a similar way about your work: a de/reconstruction of language. you call your work "mezangelle" language, a streaming "he.art.ache" for users exposed to a hard stuff experimental terrain. most of your disrupting techniques are well known in the field of experimental writing. but the new aspect in your work is the "fresh" air of contemporary material and coincidence of "meanings" in and around a word-item. what is your connect to experimental literature? what is the role of the user or code viewer in MEZ' textual space and is there a chance to survive the word crash? :-) _ i'm not actually keen 2 link or analyse my wurks in terms of an _x.perimental literature_ tag, but can understand that those that do need 2 compartmentalize my wurk in terms of predicated history|precedental evidence..............its n.teresting, this obsession with labels N d.finitions that m.brace our work N our s][h][elfs.....coming from the POV of a nic][lic][he.d "net.artist" i guess i try N span many labels, and have found myself doing so lately in order 2 survive [grants, competitions, etc].........but it is, s.sentially, crap. labels do nothing 2 further x.pressive development, & seem 2 primarily s][w][erve 2 mark artists N wurk along a definitive, prosperity plane.......we b.come objects N objecti.f][r][ied in order to slot in the societal/memetic framework...... the mezangelled l.ements that pp|theorists c as linked 2 an experimental literature perspective r the use of ico][de][nographs, fragments of programming language-shards/operating system echos such as ][knit 1][ Pearl][.....tree-structures|wildcard refs|booleanisms|unix shell commands|warped html conventions|javascript code re.workings|ascii][esque][ etc etc....the repeated allusions 2 hyperlinks via bracketing of meanings, alternative shadowings to absorption & understanding....[almost a mimicking of the x.pansion of the potentialities of co.d][iscours][e in an environment x.clusively reliant on it]..... ...the _main_ ele.ment][al][s that keeps mezangelled creched in the netwurk is information trawling, the draw][l][ of netwurk language & symbol con][inter][ventions & the collaboratory n.tent........i always write & send via email listings, MOO environs etc in the hope that the wurk will spiral out in2 a collaborative e.vent....even if the scissored textings don't e.voke a direct response from code viewers, the fact that the method, formulation & *.exe.][elo][cution r geared 2wards it means mezangelle could not x.ist without the netwurk as a sub][im][mergence arena.... i try ][mammothlishly][ hard 2 make sure that the poetic/sensual nature of my net.wurks balance & offer some sense loadings|purr.spectiff 2 those not neccessarily in the netwurked|code loop, though i do tend 2 heavily load the code.wurks with a structure that mimics a code|net.worked reality...... +. this. is. how. users. survive. the. wur][co][d][ed][ crash.+ _ E. in billwet space exists a dandy called "datadandy" - a postmodern form of walter benjamins passage dandy - a modern eye monster so to say. :-) the datadandy uses information and cyberspace the same way as the historical one not to transmit the gathered information: just to pose with it in the public. in MEZ' textual space lives a new form of dandy which is called "dataderwish" or "E-mote". as his/her historical model s/he gatheres information and promotes it but his/her main purpose is to communicate not to boast. sometimes the dataderwish is called a spammer in analogy to the datadandy which jams the bandwith along the data boulevards. is the dataderwish the ascetic brother of the datadandy? where is MEZ' data boulevard and why is spam so lost? _ the mez-data-avenue is the antithesis of the monogaze][r][. the mez-data-boulevard does not adhere 2 a perceptual slant that hi-lites the net.wurk only as a series of interconnected set of difference-loadings, of x.clusive infopackets that can][should][not be transferred nor cross-posted in order that multiple x.posure 2 information|data will not occur 4 various individual enities that n.habit various sets....rather than n.corporating a more holistic viewpoint of the netwurk & acting along an n.clusion axis...... .i c this monogaze as n.dicative of an ego-driven [by ego i mean self-cogitating, not ego as in inflated] awareness that perceives the break-points of an netsystem via individual opinions based on an awareness that may not be replicated via the community population. i also view it as perpetuating a theory structure that relies on a linear interpretation of information, 1 that cuts of any repetitive nuancing in order that data is presented in accordance with a determinist POV. +. i][nstead][.c.that.we.should.revel.in.net.wurking. cross-pollination.activity+ _ F. the dataderwish is only a capsule for many alias: ][terr.or.vision][ or ][c.o.!.a.x.(ing)][ are variable names for her/him in your textual space. the author is only a mediator, a processor across the apparatus or a subjective parser as Talan Memmott states. for gene youngblood is avant garde today a merging of metadesigner and renaissance amateur. MEZ generates is own networking, is engineer and amateur in one. which role plays the metadesign in your working and is cultural programming an alias for future jamming? :-) _ +. my. ][l(ectronic)atent][. consciousness. is. operational. in. terms. of. a. net.wurked arena.+ +. 1. that. values. information. in. terms. of. a. context. in. which. elements. r. replicated. &. sequenced. in. burgeoning. waves.+ +. a. weave. &. flow. of. accented. [code language|emulation]. patches. that. r. lapping. @|thru-o][p][ut. m.mersed. personas.+ nettime unstable digest vol 3 :.!date Fre Jul 19 15:33:34 CEST 2002 grep ^Subject: Subject: _net_][paral][lax 1.7.2: Hellos & tone.ality_ Subject: [Nettime-bold] what is happening? Subject: i am so sorry i Subject: [Nettime-bold] \\ fog! + zol!tar! zektērz Subject: [Nettime-bold] Mailman results for Reader-list Subject: [Nettime-bold] life.a-domesticguide;$sunday+1 Subject: [Nettime-bold] Japanese girl VS playboy Subject: man: Formatting Lawrence UPTON Subject: hingLings.of.said Subject: canal bleu :+++++: Subject: 'sa.log/ue Subject: Filing Names Subject: Re: [_arc.hive_] Re: (no subject) Subject: [Nettime-bold] _Perspektive_ Interview [mez interviewed by sylvia egger] grep ^From: From: Soli Psis From: "Cur.][O][va.ture" From: "Tracey Benson" From: Alan Sondheim From: integer@www.god-emil.dk From: reader-list-request@sarai.net From: guide@life.a-domesticguide.com From: Jbrad1111 From: Karl Petersen From: a u t u m n - f r e q u e n c y From: =?iso-8859-1?Q?=80?= From: + lo_y + From: Alan Sondheim From: zKrell From: Sheila Murphy From: "+ lo_y. +" From: "][co][De][e][p.rivation"